Award
2015 VES Award for Outstanding Virtual Cinematography – Kitchen Scene
Services
Storyboarding, Previs, Techvis Virtual Production, Postvis
Client
Twenty-First Century Fox
As tentpole films grow ever more visually sophisticated and expensive, visualization – previs, postvis, techvis – become increasingly important disciplines, providing vital pro- totyping tools that can enable clearer, more coherent and efficient storytelling, produc- tion planning and implementation across every area of filmmaking. When a major action sequence begins with a simple script line that says, “A great battle ensues,” some combination of visualization can’t be far behind.
The Third Floor, one of the industry’s leading visualisation companies, is often brought in by the producers of many of the world’s biggest and most complex VFX-driven fea- ture films – given the scope and complexity of visual effects required for Captain Ameri- ca: Civil War, it’s no surprise The Third Floor got the call.
TTF previs and postvis supervisors Gerardo Ramirez and Austin Bonang discuss key fight sequence visualization efforts on Marvel’s hit superhero feature.
The Third Floor, one of the industry’s leading visualisation companies, is often brought in by the producers of many of the world’s biggest and most complex VFX-driven fea- ture films – given the scope and complexity of visual effects required for Captain Ameri- ca: Civil War, it’s no surprise The Third Floor got the call.
Ghost Busters (1984)
Directed by Ivan Reitman
Shown from left: Bill Murray (as Dr. Peter Venkman), Dan Aykroyd (as Dr. Raymond Stantz), Ernie Hudson (as Winston Zeddmore)
The Third Floor, one of the industry’s leading visualisation companies, is often brought in by the producers of many of the world’s biggest and most complex VFX-driven fea- ture films – given the scope and complexity of visual effects required for Captain Ameri- ca: Civil War, it’s no surprise The Third Floor got the call.
The Third Floor, one of the industry’s leading visualisation companies, is often brought in by the producers of many of the world’s biggest and most complex VFX-driven fea- ture films – given the scope and complexity of visual effects required for Captain Ameri- ca: Civil War, it’s no surprise The Third Floor got the call.
